angel by Laura Lopez

I photographed Angel twice for my mirror project. Once in early 2020 and then again in 2021.

Our first session- she was overcoming painful losses of pregnancies that she had prayed for. She was patiently navigating her way to motherhood. I stood in her bathroom with her and photographed her while she shared her feelings about her own body’s difficulty in simply doing what we believe our bodies are made to do… carry life.

I photographed her again in May of 2021, when she was 8 months pregnant. Her belly growing a baby under the surface. Her face radiating peace while she spoke about taking in every single second of this life, grateful for every ache and every pain, because this is the baby she waited for. I brought my friend Evelyn Lauer, a writer, a poet, to meet Angel. I wanted her work to go hand-in-hand with mine when this project was finally going to be shared. Hours later she sent me this. I will always love the shared experience of telling stories with artists that I respect and connect with. Evelyn is and always has been that for me.

Angel and her husband, Omar, are now parents to their beautiful son Zion.





floating// kamilah by Laura Lopez

a few more from my august session with kamilah while she was back here in chicago visiting. this girl decided the world was too big and she needed to see it all. so she made the decision to explore, travel, live in new cities, and relish in the freedom of really creating a life. I admire women like that… fearless and open to all the possibilities life brings.

girls with mirrors by Laura Lopez

This project.

This personal, emotional, heartfelt, labor of love.

I have been working on these images since 2019, and if I am being honest I was working on this project long before I even realized it. I have unintentionally created a career in photography photographing women. I think that we are the strongest, bravest, most powerful people on the planet, and I have spent years focusing my work on the stories of women I respect and admire. I think that we are complex and layered and deep and so resilient. It has always felt important for me to make women feel seen for all the love, strength and beauty we bring to the world in ways that only we can.

Almost 2 years ago I was having a conversation with friends about learning to let go of all the things that make us love ourselves less and the freedom that comes with that kind of release. For me, and for so many of us, self-love is ongoing work. I have criticized every part of my body: from my non-existent ass, my small chin, my big nose, to my fluctuating weight. All the wishing “if only-I-had’s” or “I-wish-I-was” convincing me people must be lying if they say I’m pretty, because some days it just feels harder to love all the imperfect parts. Learning to live with myself in kindness and gratitude is not always easy. I asked a diverse group of women to allow me to photograph them in the ways that they see themselves, in the ways that they are most comfortable. I wanted to see what self-love and acceptance looked like to people with different experiences, stories, ages and lives. They became the creative directors of their shoots. We focused on an experience or a feature they loved, or how they felt their best. There were no right or wrong answers. Some ideas of self-love changed with motherhood, with heartbreak, a shift in health or with moving forward. I began shooting this project with ideas for what I wanted it to be and then 2020 happened, and plans changed.

Our lives changed.

We changed.

While I had all this beautiful work, I was unsure if after a world-wide pandemic and a year in lockdown if this all felt as relevant as it did before because everything felt so different. So much happens in a year so I decided to photograph some of these women again in 2021…after a year of change.

This project is a celebration of art and women, their resilience and all the things that make us so human and so connected.

“girls with mirrors” is finally out in the world… as a whole…in its entirety.

I can’t thank you all enough for sharing your hearts with me. I will forever be grateful that there are women like you in the world, so vulnerable and so strong and so fucking beautiful.

the orange tree (it was all a dream) by Laura Lopez

version one:

There was a yellow door and maps for wallpaper

Fresh juice from a backyard orange tree and the tiny bubbles of sweet champagne

All our love songs played on vinyl thru open windows and our hearts were filled with hope.

We sat under the sun, under the same sky and we drank morning mimosas out of glasses we stole from a hotel in Chicago.

We were together in the warmest yellow light. We were somewhere I never had to miss the sun. There were no goodbyes…just goodnights.

That’s what dreams are made of.

version two:

“you deserve the yellow door and the orange tree”

that's what you told me when you left.

I told you how you brought me the sun and even though it wasn’t mine to keep

I wanted the warmth, your light

(at least for a little while longer)

My hopeful heart made me want to buy a one way ticket and wake up under a sky that looked the same

without 1400 miles, 2 hours, and all the time in between.

This session. My heart was broken. I had imagined a life with orange trees and yellow doors. It was a life that wasn’t the life… not for him. not for me. I wrote about yellow lights and the sun and his sky and my city. When it was over, there was nowhere else to put it all except here. I called Nikki and sent her things I was writing, all the things I needed to get out of my heart and into the world… to let it all go.

I talk a lot about being trusted by the people that I photograph, how honored and grateful I feel that people allow me in. Nikki reminds me that I am also grateful for the friendship I have experienced with the women I work with. During this whole shoot, in between laughing and talking, Nikki asked me more than once if I was okay. She knew shooting this was a necessary release but it forced me to feel everything. I am grateful and will continue to feel grateful that there are women that allow me to tell their stories but also help me tell my own.

 

this is 30 by Laura Lopez

I am always so shocked by what people choose to share with me. I’m not sure that put in the reverse situation that I would be as brave to share such intimate parts of myself to someone holding a camera…putting my likeness in the hands of someone else, trusting them to really see me. I will always feel grateful for that though. The pieces that people feel safe enough to allow me to know about them and then make a permanent visual representation of who they are in that moment.

Serina, is a childhood friend of my sister-in-law, who I have photographed a few times. She moved to LA a few years ago and I visited with her once when I was in California. We sat outside and ate dinner and had a few drinks while we talked about relationships and life and new places. Serina is one of those women that just exudes happiness and confidence and goofiness. Her warmth makes you feel like you have always known her, that there was a never a time when you were a stranger.

She turned 30 last year and while the world was dealing with a pandemic, Serina was also dealing with a cancer diagnosis. She reached out to me about documenting her scars and the body she was learning to forgive.

She lives in LA and I am in Chicago. We shot all these images through Facetime, in the middle of 2020, in the middle of a shit-show kind of year. When I called her to tell her about the concept for my website and if she was okay with me putting these images and her story on here, she responded with one of the most meaningful compliments, she said “Your work is so thoughtful. Everything that you post feels like it was with purpose, like there is a story. You have such a beautiful way of looking at the world.” As a photographer I can only make work that matters when I have people as brave as her that are willing to share the most vulnerable parts of themselves. Serina, thank you.

Below is the link to Serina’s full story…

https://www.keep-a-breast.org

serina.jpg

yellow by Laura Lopez

loving you felt like living in a room full of yellow flowers,

i had become rooted in you,

happiness blooming beneath my bare feet

beautiful stems sprouting colors of the sun reaching up past my legs

and growing in your light.

when we loved

even when it rained

the sky was still warm and the sun it never left.

like thunder, we loved loud enough to move the earth

and the flowers they multiplied.

you were my warmest season.

the perfect summer.

ROCIO, MAKEUP BY NATALIA EVANGELISTA

ROCIO, MAKEUP BY NATALIA EVANGELISTA

the evolution of a broken heart by Laura Lopez

A friend of mine sent me a quote once that said “Hurt an artist and you will see masterpieces of what you’ve done”.

The grieving process…a heart broken. There are no ways to avoid the uncomfortable parts of your life changing, of love lost. There are no quick fixes, no work arounds. You have to feel all of it to come out on the other side.

I remember the paralyzing pain I felt in the beginning- like the hurt was never going to feel better. I laid in the fetal position- my body curled into itself, slept too little on some nights and too long on others- wondering if all the heartache was mine. I didn’t eat. I cried in Target, in the car, sitting at my desk…everything was attached to a memory. It was like I was in mourning. Grieving. It felt like a death, I never saw coming. Learning to live in the absence of that love felt impossible, like somehow I would never be myself again.

And then I took slow steps, trying to rebuild what had been broken. The plans for my life changed and it required me to try and find hopefulness in the space that it created for a new life, a new plan, and maybe even greater love. I wrote daily. For weeks I wrote letters that I never sent, journal entries that would become an unfiltered timeline of my healing, and poetry that made me thoughtfully construct my feelings into sentences that I could make sense of. I wrote and I read and I photographed everything that I was feeling. I needed to feel all of it to find some sort of light. During a time that I felt so disconnected and lost from who I am, I found joy and happiness in the moments that I was able to create something that felt good from the things that hurt so damn bad.

As artists that is what we do.. we create “masterpieces” from the things that hurt us, that shape us, that force our growth.

I created these images with Janelle over 12 months. Each shoot created in a different part of the grieving process. Our initial shoot was inspired by my own journal entries. The darkest part of the series- the initial hurt. She wore black. She grieved. She laid in the fetal position on the chilly November ground. She mourned with me.

The second - inspired by lines from Rupi Kaur, “I wonder if flowers will grow here” and Beau Taplin, “You will grow back over and over no matter how badly you have been destroyed.” It was still so raw and I was trying to accept the loss. I felt vulnerable and unsure but I wanted to feel hopeful “that flowers could grow here” despite it all.

The final piece was shot outside, in the sun, in the light. Janelle wore white and a crown and she looked strong. She looked the way I was beginning to feel.

“I survived what I thought would break me”